Introduction to Maya - Rendering in Arnold
This course will look at the fundamentals of rendering in Arnold. We'll go through the different light types available, cameras, shaders, Arnold's render settings and finally how to split an image into render passes (AOV's), before we then reassemble it i
#
1
07-02-2003
, 03:20 PM
Registered User
Join Date: Jan 2003
Join Date: Jan 2003
Location: Germany / Hannover
Posts: 2
Influencing the SubDivTesselation
is there a way to influence the net(tesselation?) of a subd-object.
i've tried the standard functions but the result isnt satisfying at all. it looks like the example in the teeth-thread.
I`m modeling a head using subd. but the subdfaces aren't perfect quadpolys. also extruding the proxymesh produces a quiete unusual behavior of the subd-object.
what confuses me is that most professionell subd-structures consists of a perfect quadmesh. how can i achieve this. i guess they convert the subd-mesh into polys but this way i loose all of the advantages of subd.
Last edited by cl10k; 10-02-2003 at 06:07 PM.
#
2
24-02-2003
, 03:30 AM
Registered User
Join Date: Feb 2003
Join Date: Feb 2003
Location: Shandong province China
Posts: 19
Hand
I'm modeling a hand use Subdivision surface too.
If you can upload the .mb file to the website or me?
#
3
24-02-2003
, 02:03 PM
Registered User
Join Date: May 2002
Join Date: May 2002
Location: Niagara Falls, Canada
Posts: 5,310
To be honest I never use the proxy mesh I just convert back and forth from poly to sub-d when I model....I find proxy mode fustrating.
I am enough of an artist to draw freely upon my imagination, knowledge is limited, imagination encircles the world. (Albert Einstein)
https://www.artstation.com/kurtb
#
4
06-03-2003
, 12:18 PM
Registered User
Join Date: Jun 2002
Join Date: Jun 2002
Location: Adelaide Australia
Posts: 201
A method that I find useful is to model using either smooth Proxy, or CPS tools. When the poly object is finished I then convert to SubD and switch to 'proxy' mode to texture and bind.
Maya's Subd's become pretty slow (interactivity wise) when using with large meshes. Also, last time I tried (Maya 4.0) tools like artisan paint select and sculpt poly didn't work real well with SubD.
also here is a really nice poly/Subd tut for Max that can be easily interpreted for Maya.
https://www.3dtotal.com/ffa/tutorials...c/joanmenu.asp
Always aim for 4 point poly's. think of an individual poly as a sheet of rubber being stretched evenly from 4 different sides. Now think of a 3 or 5 pointed sheet of rubber being stretched around the sides. A four pointed poly will smooth/subd better because the poly's are (like a quilt) more evenly stretched, etc.. hope this makes sense.
re jim
Mayan elder......only in years.....
Posting Rules Forum Rules
Topics
New tutorial - Create tileable textures from photos. Photoshop to Alchemist to Maya 2
By David
Site News & Announcements
3
Free Courses
Full Courses
VFX News
How computer animation was used 30 years ago to make a Roger Rabbit short
On 2022-07-18 14:30:13
Sneak peek at Houdini 19.5
On 2022-07-18 14:17:59
VFX Breakdown The Man Who Fell To Earth
On 2022-07-15 13:14:36
Resident Evil - Teaser Trailer
On 2022-05-13 13:52:25
New cloud modeling nodes for Bifrost
On 2022-05-02 20:24:13
MPC Showreel 2022
On 2022-04-13 16:02:13